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The Place She Dwells (Original Motion Picture Soundtrack)

The Place She Dwells is a full-length feature film from Motivate Pictures, starring Sarah Niarkos and directed by Maurice Moore.

In the film, Rachel (Sarah Niarkos) suffers deep trauma after a horrific event tears her life apart. Refusing to go outside, she depends upon the efforts of Detective Pierce (Maurice Moore) to solve the crime that served as the catalyst of her distress and assure her future well-being. The lines between illusion and reality begin to blur as Rachael battles with her demons, home alone, while all those who occasionally visit don't have a clue how to help.

The Place She Dwells is a cunningly well-executed indie-thriller that demonstrates the dark depths we sometimes go to, even if we don't have a clue as to how to climb out of it. While this film looks squarely and soberly at the personal effects of trauma, it ultimately showcases the resiliance of the human spirit in times of immense duress and adversity.

Maurice Moore and Dave Wirth worked closely together on the music for The Place She Dwells. Equal parts layered Eurorack synthsizer sound design and felt piano with strings, the soundtrack plays to Sarah Niarkos' gutsy, deep performance as a woman who routinely tries to escape the immense grief and terror that threatens to swallow her.

New Music Video and Single from Evil Gima: IT\AM

Directed by Jorge Martinez:


Listen to IT\AM & Evil Gima


Preorder Alluvion by Evil Gima


Advanced Press for Alluvion

“Listening to Evil Gima’s Alluvion is a singular experience. Its implacable currents of sound pull from two worlds. The first is a place mythic and terribly old, an ancient corridor where monsters lurk with the unknowable thing inside you. The other is an echo of our own voices, captured from some unimaginable future; deranged and waiting. It’s the only music I have ever heard that conjures the cosmic terror/wonder of the world unknown.

Evil Gima and Alluvion are a genre unto themselves, a separate universe from the familiar and predictable undulations of horror than can only speak to the surface of things. Alluvion peels you open and seizes that unfathomable reality within... then sets it churning.

Rejoice, human. Music is not dead. And you are called to obliteration.”

Kirt Bozeman

Synthesizer Sketches 2021

In 2021, I purchased my first Eurorack synthesizer. The obsession with the quality of analog sound took hold very quickly. This album of sketches and tests came directly from experimenting with the synthesizers on the Eurorack. I doubt I'll ever buy another digital synth plugin again...

Become a subscriber to my Bandcamp and get this album along with more than 30 others

****


Album cover is a public domain photograph of the flutist John Finn, ca 1923. The original is located here: www.loc.gov/resource/musdcmphot.a0169.0

Fetch (Original Motion Picture Soundtrack)

Fetch is the story of a woman who walks into the woods to find her disappeared friend only to meet the Fae, the creatures who guard the wilderness. Fetch was written and directed by Heather Halstead in cooperation with Motivate Pictures., and stars Dana Wing Lau.

The original score for Fetch takes the perspective of a mythical adversary: The fae. It features live-recorded piano, voice, kalimba, big drums, and most notable, a cigar box guitar. Heather Halstead, the director of this film, also came into the studio to record the final melody.

Fetch is a chilling story of mythological creatures taking their anger out on a unsuspecting young woman. The result? Absolute fright and mayhem.

Dave Wirth: I Won't Untie The Knots

I Won't Untie The Knots was influenced highly by Arcade Fire's second record Funeral and the strange but accessible melodies heard in Band Of Horses in their first two records. Lyrically, it's an expressionistic and blurry impression of modern life filled with the intimate dread of personal responsibility.

This song was originally created in a fit of passion in a random building in South Austin. Interestingly, the drums were not played to a click track. There are around 20 guitars overlaid throughout this recording. Some electric, some acoustic. Piano, and even mountain dulcimer.

Auger In - The Human Sea, Featuring Cale Parks of Aloha

Auger In’s first record is all about post rock improvisation at it's best: Raw, layered, textured guitars provide the atmosphere while pulsating and energetic drums provide the pulse of the music. The Human Sea is like a drummer being told to show off while he/she is playing in a cloud, and the cloud changes form to match his/her playing. The contrast is surprising!

The Human Sea features Cale Parks, solo artist and drummer of the band Aloha, and Dave Wirth, film composer and guitarist. Originally recorded in 2001, and released on January 21st, 2021.

Cinematic Piano Improvisations Now Available

Cinematic Piano Improvsations comprises 24 minutes of solo, improvised piano with a cinematic flair. The songs themselves lay themselves bare before you. Incredible microphones picked up every single noise of the piano, including pedal squeaks as well as mistakes. The album feels incredibly intimate and forthcoming without being TMI.

All songs on Cinematic Piano Improvisations were improvised. Improvising is all about using mistakes to your advantage. A wrong note played once is a mistake; A wrong note repeated is an idea. For this record, I accepted the mistakes, turned them into ideas, and called it a day.

From Cinematic Piano Improvisations

Cinematic Piano Improvsations is available exclusively on www.firefireredstardown.com.

PS: You can become a member of the Fire Fire Red Star Down music community for $14/year. Give it a great go!

Photo: White House (gold piano) by Harris & Ewing. Public Domain. www.loc.gov/item/2016855753/

Photo: White House (gold piano) by Harris & Ewing. Public Domain. www.loc.gov/item/2016855753/