Fractal Magic is the fourth track off of Ambient 2022, Vol. 2.
Ambient 2022 Vol.2: One hour listening experience for work, mental engagement, and concentration. Perfect for study, cooking dinner, drawing, light vice expression, and interesting love-making.
Special thanks: Kirt Bozeman, David Hobizal.
Teleporter is the first track off of Ambient 2022, Vol. 2.
Ambient 2022 Vol.2: One hour listening experience for work, mental engagement, and concentration. Perfect for study, cooking dinner, drawing, light vice expression, and interesting love-making.
Special thanks: Kirt Bozeman, David Hobizal.
Ambient 2022 Vol.2: One hour listening experience for work, mental engagement, and concentration. Perfect for study, cooking dinner, drawing, light vice expression, and interesting love-making.
Special thanks: Kirt Bozeman, David Hobizal.
Stereotactic is the third track off of Ambient 2022, Vol. 1.
Ambient 2022 Vol.1: One hour listening experience for rest, relaxation, and rejuvenation. Perfect for reading, watering plants, small repetitive tasks that need to be finished only by you, and psychedelica.
Special thanks: Kirt Bozeman, David Hobizal.
Memories of Rain is the first track off of Ambient 2022, Vol. 1.
Ambient 2022 Vol.1: One hour listening experience for rest, relaxation, and rejuvenation. Perfect for reading, watering plants, small repetitive tasks that need to be finished only by you, and psychedelica.
Special thanks: Kirt Bozeman, David Hobizal.
Ambient 2022 Vol.1: One hour listening experience for rest, relaxation, and rejuvenation. Perfect for reading, watering plants, small repetitive tasks that need to be finished only by you, and psychedelica.
Special thanks: Kirt Bozeman, David Hobizal.
Directed by Jorge Martinez:
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“Listening to Evil Gima’s Alluvion is a singular experience. Its implacable currents of sound pull from two worlds. The first is a place mythic and terribly old, an ancient corridor where monsters lurk with the unknowable thing inside you. The other is an echo of our own voices, captured from some unimaginable future; deranged and waiting. It’s the only music I have ever heard that conjures the cosmic terror/wonder of the world unknown.
Evil Gima and Alluvion are a genre unto themselves, a separate universe from the familiar and predictable undulations of horror than can only speak to the surface of things. Alluvion peels you open and seizes that unfathomable reality within... then sets it churning.
Rejoice, human. Music is not dead. And you are called to obliteration.”
In 2021, I purchased my first Eurorack synthesizer. The obsession with the quality of analog sound took hold very quickly. This album of sketches and tests came directly from experimenting with the synthesizers on the Eurorack. I doubt I'll ever buy another digital synth plugin again...
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Album cover is a public domain photograph of the flutist John Finn, ca 1923. The original is located here: www.loc.gov/resource/musdcmphot.a0169.0
Auger In’s first record is all about post rock improvisation at it's best: Raw, layered, textured guitars provide the atmosphere while pulsating and energetic drums provide the pulse of the music. The Human Sea is like a drummer being told to show off while he/she is playing in a cloud, and the cloud changes form to match his/her playing. The contrast is surprising!
The Human Sea features Cale Parks, solo artist and drummer of the band Aloha, and Dave Wirth, film composer and guitarist. Originally recorded in 2001, and released on January 21st, 2021.
Deep, dark, and nightmarish, IT\AM is sure to enthrall you with an intense wall of sound and epic piano. Checkit!
Evil Gima — AES
This album consists of five songs without any rhythm but roll by like thunderstorms. I managed to capture a cloud formation in Santa Fe, NM that naturally fit the mood of this particular song on the record:
All five songs on AES are roughly the same: Ambient, without rhythm, and exactly what it feels like to lazily watch thunderstorms:
Field Spectra — Austin, TX
Austin, TX by Field Spectra consists of five field recordings of nature in Austin. Recording locations included Shoal Creek in downtown Austin (the audio is posted below) and various spots in South Austin including the Golden Dome of Pure Knowledge. That's a really neat building.
If you're an Austin expatriot, this is the album to get:
Since moving to the desert, I've found super interesting people to play with. Among them, Jim and Peter. Jim plays drums, Peter does tablas. We've done a bit of collaboration, and Jim just posted a couple of (really out there) tunes.
Jim Mccullough's excellent soundcloud is full of great Taos and desert inspired ambient fun musicscapes.
Two songs, originally created years ago and found on a random backup cd. Imagine the surprise! Two gems of droney, rain weather music.
Cover art by Jackson, William Henry, 1843-1942, photographer, Public Domain. Home of cotton picker.
Tres Pianos is exactly what it sounds like: Three pianos that are all overdubbed without a click track. The result is fumbly, cloud-like, and feels exactly like a cool but dry Sunday morning.
Photo courtesy of Library of Congress. Public Domain.
Soloman House interior – piano, by Bain News Service, publisher. http://www.loc.gov/pictures/item/ggb2006010801/